Seeing differently is a part of my everyday experience and has influenced the way I communicate as an artist, designer and educator. Emulating experiences based on the experiences of disability, my recent installations and exhibitions have been both visual and haptic in nature, and are spatially oriented in ways that often require the audience to look and gather, and piece the fragments together into a poetic sense of time and place. Additional research focuses on the role of transmedia communication methods with regard to inclusive access to cultural experiences.
Associate Chair, Associate Professor
BFA University of Windsor
MFA University of Guelph
Phone: 416-979-5000Ex. 4550
KHS 55 E
SCRIPTS FOR A WORLD IN CONSTANT MOTION - A new body of work that explores relationships of control and catastrophe through a series of installations where narratives are semantically extended to address intersections and influence as we bear witness to ripple of disruption initiated by the audience.
The Logic of Subduction Curated by: Carl Lavoy & Sonya Blazek, Joanne Marion, Olexander Wlasenko. WKP Kennedy Gallery, North Bay, ON, Oct, 2015, Station Gallery, Whitby, ON, Jan 11–Mar 30, 2014, Esplanade Art Gallery, Medicine Hat, AB, Feb 26–Apr13, 2013, Thames Art Gallery, Chatham, ON, Oct. 20–Nov 21, 2011, Oresman Gallery, Northampton, MA, March, 2011
Real or Perceived: Common Pulse Arts and Disabilities Festival, Durham Art Gallery, Aug 29 – Nov 3, 2013
Ex Libris Curated by Carl Lavoy, Thames Art Gallery. Chatham, ON. June 2001
"The Beat of Change: Fashioned by the Peacock Revolution" by Cassandra Tino "Seeing Fashion Through Sound" by Jenni Lin Armstrong. (In Progress).